Correction
2018 - Director : Plasson, Fabien
Choreographer(s) : Havelka, Jiří (Czech Republic)
Present in collection(s): Maison de la Danse de Lyon , Saisons 2010 > 2019
Correction
2018 - Director : Plasson, Fabien
Choreographer(s) : Havelka, Jiří (Czech Republic)
Present in collection(s): Maison de la Danse de Lyon , Saisons 2010 > 2019
Correction
Imagine a world where you can’t progress despite your best efforts to push forward.Award winning contemporary dance company VerTeDance have created a beautifully poignant piece about our lack of freedom, reclusion and our power to make decisions. The cast weaves around their own shadows whilst a live modern minimalist soundtrack by Clarinet Factory builds a fluid tension.
Reflexes, slants and curvatures; pushing off, tipping and falling – every imbalance is corrected and brought back to equilibrium. With theatrics, choreographic moments and subtle humor, Correction shows that the attainment of freedom often goes hand in hand with loss. But above all, it shows that lack of freedom to decide can also result in comfort, relief, familiarity and devotion – even happiness.
Source: Company's website
More information: www.vertedance.org/
Havelka, Jiří
Jiří Havelka is a theater director, actor, co-founder and moderator of Óčko television. He was born on June 17, 1980 on the Czech-Moravian border, in Jihlava. He lived with his own father in his five years, so he was brought up in a family with the same women. With my mom and two sisters. He claims he is very choleric and he does not like to admit mistakes. Perhaps it is the belief that it is pushing him forward.
He studied at the grammar school in Jihlava until his 17 years of age, where he already participated in the foundation of the HOBIT theater association. After graduation he studied at DAMU in Prague, directing department. During his studies, he began to play and direct on a small stage the Ypsilon Studio in Spalena Street, where he still works today.
At the moment he is also a member of the cabaret theater VOSTO5, which is known for promoting open forms of author's productions. And, of course, improvisation in which there is no competition. A great success, for example, is their Standard Cabaret.
As a director he also works at the Dejvicke Theater and at the DISK Theater. He also directs the author's games (1203 or Unsatisfied, Man, Try it !, Drama in Brief, Nadsamec Jarry, Black Hole, and more). He co-organized the Jihlava International Documentary Film Festival and organizes Festival Cute Drama.
He is co-founder of the Óčko TV station, where he is the creator and moderator of the improvisation skeptic program Barage. In 2007 he won the Alfred Radok Award as the talent of the year.
He is a very charismatic, talented man with incredible fantasy. It is visible and felt that what he does loves every piece of his soul. He puts a piece of himself in everything, and it is unpaid today.
Source: FDb.cz
Plasson, Fabien
Born in 1977, Fabien Plasson is a video director specialized in the field of performing arts (dance , music, etc).
During his studies at the Ecole Nationale des Beaux-Arts de Lyon (joined in 1995) Fabien discovered video art. He was trained by various video artists (Joel Bartoloméo Pascal Nottoli , Eric Duyckaerts , etc) .
He first experimented with the creation of installations and cinematic objects.
From 2001 to 2011, he was in charge of Ginger & Fred video Bar’s programming at La Maison de la Danse in Lyon. He discovered the choreographic field and the importance of this medium in the dissemination, mediation and pedagogical approach to dance alongside Charles Picq, who was a brilliant video director and the director of the video department at that time.
Today, Fabien Plasson is the video director at La Maison de la Danse and in charge of the video section of Numeridanse.tv, an online international video library, and continues his creative activities, making videos of concerts, performances and also creating video sets for live performances.
Sources: Maison de la Danse ; Fabien Plasson website
More information: fabione.fr
VerTeDance
The dance company VerTeDance was founded in 2004 by the trio Veronika Knytlová and Tereza Ondrová, dancers and choreographers, and Pavel Kotlík, a light designer. Within more than 12 years of their existence, VerTeDance have created almost twenty projects, having mated with uncountable outstanding personalities of the czech and international dance scene. The company has to its credit a number of important rewards, among them The Dancer of the Year 2010, The Best Light Design Award (2012 and 2014) and The Theatre Journal Award (2012 and 2014).
VerTeDance are the only Czech company to have gained the most prestigious Czech award in the field, The Dance Piece of The Year, as many as three times: for Silent Talk in 2005, for What is the Weight of Your Desire in 2012 and for CORRECTION in 2014.
In 2015 VerTeDance was awarded for show Correction by BE Audience Award 2015 and Mess Festival Award 2015 in BE festival in Birmingham and by prestigious Herald Angel Award 2015 in Edinburgh Fringe Festival.
Source: Company's website
More information: www.vertedance.org/
Clarinet Factory
Imagine a musical workshop or lab to give you a bit of clarinet art, classical music education, a bit of ethno, jazz, and let's say minimalism. You add your taste to improvise, buy the latest electronics and technology, invite interesting guests and start exploring, creating and mainly communicating with listeners. From the environments you create, then you'll find a unique genre that can have a lot of things in common with the established crossover term, but you can even more freely express yourself as "music without borders".
Source: Clarinet Factory
Correction
Artistic direction / Conception : Jiří Havelka
Choreography : Veronika Knytlová / Marta Trpišovská, Tereza Ondrová / Soňa Ferienčíková, Martina Hajdyla Lacová / Helena Arenbergerová, Karolína Hejnová / Sára Arnsteinová, Petr Opavský / Michael Vodenka, Robo Nižník, Jaro Ondruš / Rado Piovarči
Interpretation : Veronika Knytlová / Marta Trpišovská, Tereza Ondrová / Soňa Ferienčíková, Martina Hajdyla Lacová / Helena Arenbergerová, Karolína Hejnová / Sára Arnsteinová, Petr Opavský / Michael Vodenka, Robo Nižník, Jaro Ondruš / Rado Piovarči
Set design : Dáda Němeček
Live music : Clarinet Factory
Lights : Katarína Ďuricová
Costumes : Dáda Němeček
Production / Coproduction of the choreographic work : VerTeDance o.s. // supported by City of Prague, Ministry of Culture of the Czech Republic, Foundation Život umělce, METROSTAV a.s., Tanec Praha NGO / Ponec – The Dance Venue, Čtyři dny o.s. and ALT@RT o.s.
Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois
If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”.
LATITUDES CONTEMPORAINES
Bagouet Collection
The committed artist
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.
CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM
Indian dances
Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!
[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.
In the 1970s, artists’ drive towards a new classic had been ongoing for more than a half century and several generations had already formed since the Russian Ballets. As the years went by, everyone defended or defends classical dance as innovative, unique, connected to the other arts and the preoccupations of its time.
les ballets C de la B and the aesthetic of reality
Black Dance
Why do I dance ?
Artistic Collaborations
Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians
Meeting with literature
Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.
Round dance
Presentation of the Round’s figure in choreography.
Female / male
A walk between different conceptions and receptions of genres in different styles and eras of dance.
Contemporary Italian Dance : the 2000s
Panorama of contemporary dance practices in Italy during the 2000s.
Hip hop / Influences
This Course introduce to what seems to be Hip Hop’s roots.
Contemporary techniques
This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.