Skip to main content
Back to search
  • Add to playlist

Hosotan

Numeridanse.tv 1972

Choreographer(s) : Hijikata, Tatsumi (Japan)

Present in collection(s): Numeridanse.tv

en fr

Hosotan

Numeridanse.tv 1972

Choreographer(s) : Hijikata, Tatsumi (Japan)

Present in collection(s): Numeridanse.tv

en fr

Hosotan

For this  performance that dates from 1972, Hijikata gives us to see a primitive body that draws its energies in the hollow of its belly and, slowly, emerges from nothingness to access self-awareness.

Hijikata, Tatsumi

Tatsumi Hijikata (1928 - 1986) was a Japanese choreographer, and the founder of a genre of dance performance art called Butoh. By the late 1960s, he had begun to develop this dance form, which is highly choreographed with stylized gestures drawn from his childhood memories of his northern Japan home. It is this style which is most often associated with Butoh by Westerners.

He moved to Tokyo permanently in 1952, the year in which the American Occupation of Japan ended. He claims to have initially survived as a petty criminal through acts of burglary and robbery, but as he was known to embellish details of his life, it is not clear how much his account can be trusted. At the time, he studied tap, jazz, flamenco, ballet and German expressionist dance (Nobutoshi Tsuda). He undertook his first Ankoku Butoh performance, "Kinjiki", in 1959. In 1962, he and his partner Motofuji Akiko established a dance studio, Asbestos Hall, in the Meguro district of Tokyo.

Hijikata conceived of Ankoku Butoh from its origins as an outlaw form of dance-art, and as constituting the negation of all existing forms of Japanese dance. Inspired by the criminality of the French novelist Jean Genet, Hijikata wrote manifestoes of his emergent dance form with such as titles as 'To Prison'. His dance would be one of corporeal extremity and transmutation, driven by an obsession with death, and imbued with an implicit repudiation of contemporary society and media power.
Especially at the end of the 1950s and throughout the 1960s, Hijikata undertook collaborations with filmmakers, photographers, urban architects and visual artists as an essential element of his approach to choreography's intersections with other art forms.

Source: Research Center for the Arts and Arts Administration, Keio University

Hôsôtan

Choreography : Tatsumi Hijikata

Interpretation : Tatsumi Hijikata

Our videos suggestions
03:01

Hard to Be Soft

Doherty, Oona (France)

  • Add to playlist
03:01

Peekaboo

Goecke, Marco (France)

  • Add to playlist
03:31

Panorama

Decouflé, Philippe (France)

  • Add to playlist
03:05

Panorama

Decouflé, Philippe (France)

  • Add to playlist
03:15

Sketches From Chronicle

Graham, Martha (France)

  • Add to playlist
03:13

Rose - variation

Monnier, Mathilde (France)

  • Add to playlist
05:16

Bruit de couloir

Dazin, Clément (France)

  • Add to playlist
07:42

Coupé décalé [1ère partie] - Robyn Orlin

Orlin, Robyn (France)

  • Add to playlist
08:17

Impair

Brabant, Jérôme (France)

  • Add to playlist
09:22

Insensiblement

Gourfink, Myriam (France)

  • Add to playlist
06:20

Flat/grand délit

Lheureux, Yann (France)

  • Add to playlist
04:04

Myriam Gourfink, un Temps autre

Gourfink, Myriam (France)

  • Add to playlist
03:13

Debout !

Delaunay, Raphaëlle (France)

  • Add to playlist
02:59

Japan

Tanguy, Simon (France)

  • Add to playlist
03:42

Lucinda Childs

Childs, Lucinda (United States)

  • Add to playlist
06:04

Adieu et merci

Laâbissi, Latifa (France)

  • Add to playlist
03:27

Mirage

Kunes, Vaclav (Czech Republic)

  • Add to playlist
03:29

Plexus

Bory, Aurélien (France)

  • Add to playlist
05:45

4D

Cherkaoui, Sidi Larbi (Belgium)

  • Add to playlist
06:24

Un son étrange

Dobbels, Daniel (France)

  • Add to playlist
Our themas suggestions

LATITUDES CONTEMPORAINES

Exposition virtuelle

fr/en/

James Carlès

Exposition virtuelle

fr/en/

The committed artist

In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.

Parcours

fr/en/pl/

The BNP Paribas Foundation

Exposition virtuelle

fr/en/

La part des femmes, une traversée numérique

Exposition virtuelle

fr/en/

Qudus Onikeku - Reclaim a forgotten memory

Exposition virtuelle

fr/en/

CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM

Exposition virtuelle

fr/en/

Indian dances

Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!

Parcours

fr/en/

DANCE AND DIGITAL ARTS

Exposition virtuelle

fr/en/

Black Dance

James Carlès, dancer and choreographer and specialist of Afro-American dance, evokes the origin of current-day urban dances. From Africa to the United States via Europe, he emphasizes their hybrid style and puts their social and political dimension into perspective. A myriad of videos, photos, illustrations and additional resources complement this interview.

Webdoc

fr/en/

Why do I dance ?

Social dances, anti-establishment, protest dances, rhythms or identities, rituals or pleasures... There are a myriad of reasons for dancing and a myriad of points of view. A webdoc to discover, enhanced with extracts from performances and accounts from amateurs... all the right reasons for dancing!

Webdoc

fr/en/

Artistic Collaborations

Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians

Parcours

fr/en/

Meeting with literature

Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.

Parcours

fr/en/

Dance and performance

 Here is a sample of extracts illustrating burlesque figures in Performances.

Parcours

fr/en/

Round dance

 Presentation of the Round’s figure in choreography.

Parcours

fr/en/

The Dance Biennale

Exposition virtuelle

fr/en/

Exposition virtuelle

fr/en/

Female / male

A walk between different conceptions and receptions of genres in different styles and eras of dance.

Parcours

fr/en/es/de/pl/pt-pt/

Dance and visual arts

Dance and visual arts have often been inspiring for each other and have influenced each other. This Parcours can not address all the forms of their relations; he only tries to show the importance of plastic creation in some choreographies.

Parcours

fr/en/es/de/pl/pt-pt/

Arts of motion

Generally associated with circus arts, here is a Journey that will take you on a stroll through different artists from this world.

Parcours

fr/en/
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more