Skip to main content
Back to search
  • Add to playlist

Il n'est pas encore minuit

With a festive atmosphere of freedom and resistance, 'Il N'est Pas Encore Minuit...' is a bubbling cauldron of individual wishes and desires, but in this case, it is more about the notion of the paths we take collectively than the shaping of an idea. Outside acrobatic work, a dance called the Lindy Hop was the point of convergence between individuals and generations. This dance, which grew out of 1920s Harlem and has a swing-like energy, constitutes an incredible playground which, in contrast to acrobatics, allows us to 'let go' and affirm our own uniqueness. And although it may not be the point of the show, its intentions are implicit: the affirmation of the collective and the listening to and understanding of the body as a joyful and poetic act of resistance. Our musical composition follows this theme with the aim of provoking movement as well as immobility; contrasting the energy of a rolling jazz made up of scraps of different things with the melancholy of the cello. The rhythmics will be in tune with the acrobatic figures and their breathing.

Générique

Collective creation

Tour : Abdeliazide Senhadji, Amaia Valle, Andres Somoza, Airelle Caen, Alice Noel, Ann-Katrin Jornot, Antoine Thirion, Aurore Liotard, Charlie Vergnaud, David Badia Hernandez, David Coll Povedano, Denis Dulon, Evertjan Mercier, Guillaume Sendron, Gwendal Beylier, Jérôme Hugo, Mohamed Bouseta, Romain Guimard, Thomas Samacoïts, Thibaut Berthias, Xavier Lavabre, Zinzi Oegem
Collaborations artistiques : Loïc Touzé, Valentin Mussou, David Gubitsch
Lights creation : Vincent Millet
Costume creation : Nadia Léon
Production directors : Peggy Donck et Antoine Billaud
Production : Cie XY 

Coproductions et residence : Biennale de la danse de Lyon/Cirque Théâtre d’Elbeuf (Pôle national des arts du cirque Haute Normandie) Scène nationale de Sénart/CIRCa (Pôle national des arts du cirque Midi Pyrénées) 

Video direction : Jean-Marc Birraux
Production : 24 images

Birraux, Jean-Marc

Jean-Marc  Birraux has been a director since 1995 for M6, Mezzo, France3, Paris Première, France2, Arte Live Web or even Arte.

XY

Artistic direction: Abdeliazide Senhadji et Mahmoud Louertani

Creation: 2004


The Compagnie XY was born in 2004 out of an encounter between two circus artists, Abdeliazide Senhadji and Mahmoud Louertani, with their duo of students at the circus school in Lomme. ‘XY’, just as with any company, was not meant to last after the show 'Laissez-Porter', which was created in 2005. Four years and some 200 performances later, Abdel suggested bringing together a collective of acrobats on the stage, in the ring or on the road to play out the language of ‘stunts’ practised by many. In May 2009, 'Le grand C' and its 17 acrobats gave their first performance and, contrary to all expectations, the Cie XY forged an identity for itself. 'Le grand C' has been performed over 300 times around the world. 'Il n'est pas encore minuit (...)' was built on these strengths; artistic research around acrobatic stunts and work in large groups, the invention of a common language. A collective approach with a definite concept of encounter, openness and sharing.


Source: Biennale de la Danse - 2014


More information : ciexy.com

Il n'est pas encore minuit

Artistic direction / Conception : Collectif XY

Interpretation : Collectif en tournée : Abdeliazide Senhadji, Amaia Valle, Andres Somoza, Airelle Caen, Alice Noel, Ann-Katrin Jornot, Antoine Thirion, Aurore Liotard, Charlie Vergnaud, David Badia Hernandez, David Coll Povedano, Denis Dulon, Evertjan Mercier, Guillaume Sendron, Gwendal Beylier, Jérôme Hugo, Mohamed Bouseta, Romain Guimard, Thomas Samacoïts, Thibaut Berthias, Xavier Lavabre, Zinzi Oegem

Lights : Vincent Millet

Costumes : Nadia Léon

Other collaborations : Collaborations artistiques : Loïc Touzé, Valentin Mussou, David Gubitsch

Production / Coproduction of the choreographic work : Peggy Donck et Antoine Billaud (Directeurs de production), Production Cie XY / Coproductions et accueils en résidence : Biennale de la danse de Lyon/Cirque Théâtre d’Elbeuf (Pôle national des arts du cirque Haute Normandie) Scène nationale de Sénart/CIRCa (Pôle national des arts du cirque Midi Pyrénées)

Production / Coproduction of the video work : 24 images productions collection scènes d'écran

Our videos suggestions
02:55

Céu Cinzento

Oliveira, Clébio (France)

  • Add to playlist
03:31

Panorama

Decouflé, Philippe (France)

  • Add to playlist
07:23

l'Espace d'un Instant

Dubois, Kitsou (France)

  • Add to playlist
03:00

Taoub

Bory, Aurélien (France)

  • Add to playlist
02:29

Plus ou moins l'infini

Bory, Aurélien (France)

  • Add to playlist
06:27

Le vertige du papillon

Traore, Fatou (Belgium)

  • Add to playlist
03:03

Daral Shaga

  • Add to playlist
02:58

Shaker

Pinto, Inbal (Israel)

  • Add to playlist
02:24

Selon Désir

Foniadakis, Andonis (Switzerland)

  • Add to playlist
10:29

3 in passacaglia

Endo, Yasuyuki (France)

  • Add to playlist
09:55

Le Bal des Intouchables

  • Add to playlist
03:05

Romeo and Juliet

Maillot, Jean-Christophe (Monaco)

  • Add to playlist
03:42

Daphnis et Chloé

Maillot, Jean-Christophe (Monaco)

  • Add to playlist
03:00

Murder Ballads

Peck, Justin (United States)

  • Add to playlist
23:04

Carnets de traversée, quais ouest

  • Add to playlist
11:50

A la renverse

Monnier, Mathilde (France)

  • Add to playlist
52:53

Hoppla !

De Keersmaeker, Anne Teresa (Belgium)

  • Add to playlist
24:26

Triton

Decouflé, Philippe (France)

  • Add to playlist
25:27

La trilogie de la chair

Brumachon, Claude (France)

  • Add to playlist
02:39

The spectator's moment (2017): Cirkus Cirkör

  • Add to playlist
Our themas suggestions

[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.

In the 1970s, artists’ drive towards a new classic had been ongoing for more than a half century and several generations had already formed since the Russian Ballets. As the years went by, everyone defended or defends classical dance as innovative, unique, connected to the other arts and the preoccupations of its time.

Parcours

fr/en/

Contemporary Italian Dance : the 2000s

Panorama of contemporary dance practices in Italy during the 2000s.

Parcours

fr/en/

Arts of motion

Generally associated with circus arts, here is a Journey that will take you on a stroll through different artists from this world.

Parcours

fr/en/

Contemporary techniques

This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.

Parcours

fr/en/

VAISON DANSES

Exposition virtuelle

fr/en/

The “Nouvelle Danse Française” of the 1980s

In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out  their unique take on the world. 

Parcours

fr/en/

The national choreographic centres

Exposition virtuelle

fr/en/

A Rite of Passage

Classical, telluric, shamanic, revolutionary? On May 29th, 1913, the first performance of Nijinski's "Rite of Spring" made such a scandal. This webdoc tells the story of this key work which inspired so many artists.

Webdoc

fr/en/

Käfig, portrait of a company

Webdoc

fr/en/

When reality breaks in

How does choreographic works are testimonies of the world? Does the contemporary artist is the product of an era, of its environment, of a culture?

Parcours

fr/en/

States of the body

Explanation of the term « State of the body » when it’s about dance.

Parcours

fr/en/

Ballet pushed to the edge

 Ballet’s evolution from its romantic form until néo-classicism.

Parcours

fr/en/

Dance in Quebec: Untamed Bodies

First part of the Parcours about dance in Quebec, these extracts present how bodies are being used in a very physical way.

Parcours

fr/en/

Dance at the crossroad of the arts

Some shows are the meeting place of different trades. Here is a preview of some shows where the arts intersect on the stage of a choreographic piece.

Parcours

fr/en/es/de/pl/pt-pt/

Genres and styles

Dance is a rather vast term, which covers a myriad of specificities. These depend on the culture of a country, on a period, on a place. This Journey proposes a visit through dance genres and styles.

Parcours

fr/en/
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more