Skip to main content
Back to search
  • Add to playlist

Le Bal des Intouchables

Fondation BNP Paribas 2012

Present in collection(s): Fondation BNP Paribas

en fr

Le Bal des Intouchables

Fondation BNP Paribas 2012

Present in collection(s): Fondation BNP Paribas

en fr

Le bal des intouchables

Under the big top, the show opens with a funny kind of introduction that augurs well for the notion of untouchable. In the course of the show, the artists reveal a whole symphony of possibles as they outwit anything that at first appears impossible. To begin with, the group forms a procession, then, little by little, each person delivers their score, escapes from the group, steals away to the heights, takes the risk of freedom and falling, to better return to the others with new gestures to offer.   

The unique destiny of Antoine Rigot is at the centre of the piece, but this time with a new impetus, reboosted by this immersion within an artistic team expressing through solos, duos, trios and reunions, the features of vitality, malice, cruelty, dreams, failures, insolence, risk, virtuosity, generosity, wisdom… 

Frequently burlesque, le Bal des intouchables introduces eight characters, young and old, light and disabled, agile and fragile. What is given is received, the fall is never far from the rise, success from solitude, and vice versa. Les Colporteurs have succeded in linking gesture to emotion and in evoking the mastery of art and the transmission of experience. The musicians participate fully in the overall dramaturgy, in turn players on the stage or accompanying the piece from the side. Their role is to help tighten a solid thread within the act. 

This creation is the result of work around the discovery of oneself and others, and the attempt to assume the differences that govern, separate and bring us together. Freeing itself from all stereotypes, the show praises the chosen prowess and the poetry of slow gestures. 


Source: Extracts from a text by Claudine Dussollier, September 13th, 2012

Les Colporteurs

In 1996, Agathe and Antoine, during the exploitation of Amore Captus, founded the company Les Colporteurs. With their accomplices at that time, they organised the construction of the big top they had always dreamt of and created their first show, Filao, inspired by Italo Calvino’s novel Il Barone Ramante (The Baron in the Trees). This show, which combines circus, theatre, dance and music, was performed 220 times between 1997 and 2000 in France and abroad. In 1999, the team of Les Colporteurs joined up with that of Les Nouveaux Nez to imagine, in the Ardèche region of France, what was to become La Cascade, Pôle National des Arts du Cirque (National Centre of Circus Arts), which opened its doors in Bourg-Saint-Andéol in April 2008. 

In May 2000, Antoine was the victim of a serious accident that prevented him from continuing to tightrope dance. However, he resumed his work as an actor and a musician and began to stage performances.


Source: Les Colporteurs


More information: lescolporteurs.com

Le bal des intouchables

Artistic direction / Conception : Antoine Rigot, Agathe Olivier, Cécile Kohen

Interpretation : Tatiana-Mosio Bongonga, Gilles Charles-Messance, Sarah Cosset (rôle créé par Balthasar Moos), Aloïse Sauvage (rôle créé par Pauline Dau), Mosi Espinoza Navarro (rôle créé par Aourell Krausse), Karl Heinz Lorenzen, Natalie Oleinik, Agathe Olivier // Xavier Bornens, Stéphane Bouvier, Emmanuel Penfeunteun (en alternance)

Stage direction : Antoine Rigot

Set design : Patrick Vindimian, Nadège Renard (saynètes)

Original music : Boris Boublil, Guillaume Dutrieux, Antonin Leymarie, Coline Rigot

Lights : Thomas Bourreau

Costumes : Hanna Sjodin // Camille Lamy, Léa Delmas, Léa Gadbois Lamer (assistance costumes)

Settings : Sylvain Georget, Thomas Khomiakoff et Sylvain Vassas-Cherel (construction)

Technical direction : Nicolas Legendre

Sound : Stéphane Mara

Other collaborations : Bernard Molinier (régie générale), Sylvain Vassas-Cherel (régie plateau), Françoise Nau, Elise Pedrosa (régie chapiteau-bar)

Production / Coproduction of the choreographic work : Valérie Mustel (Production), Laurence Edelin (Diffusion-communication), Fanny Du Pasquier (Administration), soutenus par la Fondation BNP Paribas

Our videos suggestions
03:42

Seeds (retour à la terre)

Carlson, Carolyn (France)

  • Add to playlist
02:42

Têtes à têtes

Villa-Lobos, Maria Clara (Belgium)

  • Add to playlist
03:05

Panorama

Decouflé, Philippe (France)

  • Add to playlist
08:54

Répète

Chaillé, Fanny de (France)

  • Add to playlist
07:42

Coupé décalé [1ère partie] - Robyn Orlin

Orlin, Robyn (France)

  • Add to playlist
02:38

Vue sur les marches - Marc Lainé

  • Add to playlist
01:09:29

LEX

Fontaine, Geisha (France)

  • Add to playlist
01:58

The Spectator's Moment (2014): Maria Clara Villa-Lobos

Villa-Lobos, Maria Clara (France)

  • Add to playlist
04:19

The chance

Touzé, Loïc (France)

  • Add to playlist
01:57

Echoa

Rocailleux, Camille (France)

  • Add to playlist
03:27

Mirage

Kunes, Vaclav (Czech Republic)

  • Add to playlist
04:00

Plan B

Bory, Aurélien (France)

  • Add to playlist
07:23

l'Espace d'un Instant

Dubois, Kitsou (France)

  • Add to playlist
03:00

Taoub

Bory, Aurélien (France)

  • Add to playlist
02:29

Plus ou moins l'infini

Bory, Aurélien (France)

  • Add to playlist
06:27

Le vertige du papillon

Traore, Fatou (Belgium)

  • Add to playlist
19:43

Infundibulum

Paccagnella, Mauro (Belgium)

  • Add to playlist
03:03

Daral Shaga

  • Add to playlist
02:39

Méli-Mélo

Lafeuille, Philippe (Spain)

  • Add to playlist
01:03:46

Lourdes-Las Vegas (version sous-titrée)

Platel, Alain (Belgium)

  • Add to playlist
Our themas suggestions

The committed artist

In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.

Parcours

fr/en/pl/

The BNP Paribas Foundation

Exposition virtuelle

fr/en/

Indian dances

Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!

Parcours

fr/en/

les ballets C de la B and the aesthetic of reality

Exposition virtuelle

fr/en/

Why do I dance ?

Social dances, anti-establishment, protest dances, rhythms or identities, rituals or pleasures... There are a myriad of reasons for dancing and a myriad of points of view. A webdoc to discover, enhanced with extracts from performances and accounts from amateurs... all the right reasons for dancing!

Webdoc

fr/en/

Artistic Collaborations

Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians

Parcours

fr/en/

Meeting with literature

Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.

Parcours

fr/en/

Dance and performance

 Here is a sample of extracts illustrating burlesque figures in Performances.

Parcours

fr/en/

The Dance Biennale

Exposition virtuelle

fr/en/

Hand dances

This parcours presents different video extracts in which hands are the center of the mouvement.

Parcours

fr/en/

Contemporary Italian Dance : the 2000s

Panorama of contemporary dance practices in Italy during the 2000s.

Parcours

fr/en/

Arts of motion

Generally associated with circus arts, here is a Journey that will take you on a stroll through different artists from this world.

Parcours

fr/en/

Contemporary techniques

This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.

Parcours

fr/en/

40 years of dance and music

Exposition virtuelle

fr/en/

The “Nouvelle Danse Française” of the 1980s

In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out  their unique take on the world. 

Parcours

fr/en/

Käfig, portrait of a company

Webdoc

fr/en/

States of the body

Explanation of the term « State of the body » when it’s about dance.

Parcours

fr/en/

Dance in Quebec: Untamed Bodies

First part of the Parcours about dance in Quebec, these extracts present how bodies are being used in a very physical way.

Parcours

fr/en/

Dancing bodies

Focus on the variety of bodies offered by contemporary dance and how to show these bodies: from complete nudity to the body completely hidden or covered.

Parcours

fr/en/

Dance and percussion

Découvrez de quelles manières ont collaboré chorégraphes et éléments percussifs.

Parcours

fr/en/
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more