Kamanda, qu'en penses-tu ?
1994
Choreographer(s) : Momboye, Georges (Cote d'Ivoire)
Present in collection(s): Biennale de la danse , Biennale de la danse - 1994
Video producer : Maison de la Danse;Biennale de la Danse
Integral video available at Maison de la danse de Lyon
Kamanda, qu'en penses-tu ?
1994
Choreographer(s) : Momboye, Georges (Cote d'Ivoire)
Present in collection(s): Biennale de la danse , Biennale de la danse - 1994
Video producer : Maison de la Danse;Biennale de la Danse
Integral video available at Maison de la danse de Lyon
Kamanda
Momboye, Georges
Born in Ivory Coast and trained in classical, jazz and modern jazz dance, Georges Momboye began his performing career as a member of traditional companies such as Les Guirivoires, Ensemble Koteba and the Ivory Coast National Ballet. He soon felt himself cramped by traditional performance and sought other choreographic experiences in France, the United States and Canada, with artists such as Alvin Ailey, Brigitte Matuizi, Rick Odums, Elsa Wolliaston and Gisèle Houri.
In 1992 he decided to move to France and create his own company Yankady, “creative freedom” in Malinke, which was renamed the Georges Momboye Company in 1996. The company's resolutely-declared aim is to disseminate a representative artistic expression of contemporary Africa, which he defines as “young African dance”. The repertoire mingles contemporary, African and hip-hop technique, and includes two re-interpretations of Russian ballets (“l'Après-midi d'un faune” and “The Rite of Spring”), commissioned by the Biennale of Val-de-Marne, and pieces for a young audience (“Claire de Lune”). An internationally-recognised artist, he teaches dance courses in Europe, the United States, Asia and Latin America. In Paris in 1998, he founded the Centre de Danses Pluri-africaines et des Cultures du Monde, also known as the Momboye Centre, with support from UNESCO's International Dance Council. This is a key venue for discovering dance coming out of the African continent as well as being a venue for comparisons and exchanges.
Further information :
Digital resource - Médiathèque du Centre national de la danse
http://mediatheque.cnd.fr/spip.php?page=mediatheque-numerique-ressource&id=PHO00003890
Bagouet Collection
The committed artist
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.
The Dance Biennial Défilé
Indian dances
Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!
les ballets C de la B and the aesthetic of reality
Black Dance
Why do I dance ?
Artistic Collaborations
Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians
Meeting with literature
Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.
Female / male
A walk between different conceptions and receptions of genres in different styles and eras of dance.
Hip hop / Influences
This Course introduce to what seems to be Hip Hop’s roots.
Contemporary techniques
This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.
40 years of dance and music
The national choreographic centres
Roots of Diversity in Contemporary Dance
Genesis of work
A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff
Do you mean Folklores?
Presentation of how choreographers are revisiting Folklore in contemporary creations.
Dance in Quebec: Untamed Bodies
First part of the Parcours about dance in Quebec, these extracts present how bodies are being used in a very physical way.
Improvisation
Discovery of improvisation’s specificities in dance.