Water Study
1928 - Director : Reusch, Amy
Choreographer(s) : Humphrey, Doris (United States)
Present in collection(s): Numeridanse.tv , Doris Humphrey
Video producer : Dance Horizons
Water Study
1928 - Director : Reusch, Amy
Choreographer(s) : Humphrey, Doris (United States)
Present in collection(s): Numeridanse.tv , Doris Humphrey
Video producer : Dance Horizons
Water Study
This is one of the first works Humphrey composed as an independent choreographer. Performed in silence, it conjures up a variety of sea moods ranging from calm to tidal to wind-driven turbulence. The dance demonstrates Humphrey’s signature use of fall and recovery and breath rhythm. The subtle and complex ensemble work requires synchronized rhythmic timing among the dancers without the aid of musical cues.
Source: Dance Horizons, Doris Humphrey Legacy: Water Study DVD
Humphrey, Doris
Doris Humphrey was born in Oak Park, Illinois, in 1895 and grew up in Chicago. Her father operated a residence home for vaudeville performers called the Palace Hotel, and her mother offered piano lessons. As a girl, Humphrey studied piano, ballet, ballroom dance, Americanized Delsarte and Dalcroze's system of Eurythmics. A talented dancer, she began teaching ballet and interpretive dance to children when she was 15. During the next few years, Humphrey traveled the Santa Fe railroad line with a variety troupe, giving performances to railroad employees of her home-made aesthetic dances and Spanish numbers. When she returned home to Oak Park she began her own studio with her mother as accompaniest and business manager.
By 1931, the Humphrey and Weidman companies and their joint studio/school were firmly established in New York City. With Graham, Humphrey was considered by most critics to be a primary innovator of the new modern dance. Her theory of "fall and recovery"-- and the technique that sprang from it--was the foundation of her teaching method and her choreography. Underlying it, according to Humphrey, was the German philosopher Frederick Nietzsche's idea about the split in the human psyche between each person's Apollonian side (rational, intellectual) and our Dionysian side (chaotic, emotional). The true essence of the modern dance was the movement that happened in between these extremes, which Humphrey labeled "the arc between two deaths."
Source: University of Pittsburg
More information
Reusch, Amy
Amy Reusch is an American director. She directed the whole shows which compose the DVD serie called "The Doris Humphrey Legacy".
Water Study
Choreography : Doris Humphrey
Interpretation : Doris Humphrey Workshop Dancers
Production / Coproduction of the video work : Dance Horizons
Princeton Book Co. Publishers
Specialists in the publishing and distribution of dance books and dance videos for over 35 years, with a list of over 500 dance related titles. We publish under the imprint Dance Horizons and distribute for The Dance Notation Bureau and Dance Books Ltd. In March of 2000 we launched a new imprint to publish books of general interest, Elysian Editions, with The Magic Of Provence: Pleasures of Southern France by Yvone Lenard. Visit our Elysian Editions pages to see Ms. Lenard's books as well as other titles under this imprint.
Source: Princeton Book Co. Publishers
More information: https://www.dancehorizons.com
LATITUDES CONTEMPORAINES
The committed artist
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.
[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.
In the 1970s, artists’ drive towards a new classic had been ongoing for more than a half century and several generations had already formed since the Russian Ballets. As the years went by, everyone defended or defends classical dance as innovative, unique, connected to the other arts and the preoccupations of its time.
Why do I dance ?
The Dance Biennale
Female / male
A walk between different conceptions and receptions of genres in different styles and eras of dance.
Hand dances
This parcours presents different video extracts in which hands are the center of the mouvement.
Les Rencontres chorégraphiques internationales de Seine-Saint-Denis
40 years of dance and music
The national choreographic centres
Roots of Diversity in Contemporary Dance
Modern Dance and Its American Roots [1900-1930] From Free Dance to Modern Dance
At the dawn of the 20th century, in a rapidly changing West, a new dance appeared: Modern Dance. In the United States as in Europe, modern trends emerge simultaneously and intertwine in thier development. Let's dive into the beginnings of American modern dance!
Noé Soulier Rethinking our movements
Carolyn Carlson, a woman of many faces
Käfig, portrait of a company
Genesis of work
A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff
Do you mean Folklores?
Presentation of how choreographers are revisiting Folklore in contemporary creations.
Dance and percussion
Découvrez de quelles manières ont collaboré chorégraphes et éléments percussifs.