Insoumises
2015 - Director : Carlès, James
Choreographer(s) : Lamaison, Coraline (France)
Present in collection(s): Maison de la Danse de Lyon , Numeridanse.tv
Insoumises
2015 - Director : Carlès, James
Choreographer(s) : Lamaison, Coraline (France)
Present in collection(s): Maison de la Danse de Lyon , Numeridanse.tv
Insoumises
Lamaison, Coraline
Trained at the Conservatoire d'Art Dramatique then at the Théâtre National, Toulouse, Coraline Lamaison started out as an actress. In 2002 she choreographed her first piece, “Étude pour un homme seul”, then directed and performed in “4.48 Psychose” by Sarah Kane. In 2004, she trained with Jan Fabre, whom she assisted in the staging of “L'Empereur de la perte” and “Le Roi du plagiat” performed for in “The Crying Body” and “L'Histoire des larmes”. At the same time, she collaborated with Guy Cassiers alongside the actor Dirk Roofthooft for “Rouge décanté”. Currently based in Toulouse, she continues her collaboration with Troubleyn/Jan Fabre. She has created a triptych which explores the myth of Narcissus, “Narcisses-0”, for Kate Strong in 2009, “Ex-Stase Narcisses-1” in 2010, and “Narcisses-2.0” for Els Deceukelier and Annabelle Chambon in 2012. In 2013, she began to work on a project entitled "La Mort des sentiments" (“The Death of feelings”), of which “Vulnérables” (“Vulnerables”) is the first movement.
Source: Maison de la Danse show program
More information
Carlès, James
Since 2016, James Carlès has made the choice to make available to the public a selection of its videos.
Insoumises
Choreography : Coraline Lamaison
Video conception : Centre chorégraphique James Carlès
Bagouet Collection
The committed artist
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.
Indian dances
Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!
les ballets C de la B and the aesthetic of reality
Why do I dance ?
Meeting with literature
Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.
Dance and performance
Here is a sample of extracts illustrating burlesque figures in Performances.
The Dance Biennale
40 years of dance and music
The “Nouvelle Danse Française” of the 1980s
In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out their unique take on the world.
Body and conflicts
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
The national choreographic centres
Genesis of work
A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff
Dance and percussion
Découvrez de quelles manières ont collaboré chorégraphes et éléments percussifs.
Dance at the crossroad of the arts
Some shows are the meeting place of different trades. Here is a preview of some shows where the arts intersect on the stage of a choreographic piece.
The contemporary Belgian dance
This Parcours presents different Belgian choreographers who have marked history and participated in the creation of a "Belgian" style.