The Stolen Show
2006
Choreographer(s) : Pite, Crystal (Canada)
Present in collection(s): Maison de la Danse de Lyon , Saisons 2000 > 2009
Video producer : BJM danse;Maison de la Danse
Integral video available at Maison de la danse de Lyon
The Stolen Show
2006
Choreographer(s) : Pite, Crystal (Canada)
Present in collection(s): Maison de la Danse de Lyon , Saisons 2000 > 2009
Video producer : BJM danse;Maison de la Danse
Integral video available at Maison de la danse de Lyon
The stolen show [Xspectacle]
The Stolen Show [xspectacle] full-length version by Crystal Pite was created during her triennial residence in Montréal for [bjm_danse] in coproduction with the Banff Centre for the Arts and the Centre National des Arts for the Festival Danse Canada in Ottawa. On original partitions composed by Owen Belton, the “The Stolen Show” trilogy is a real sketchbook on movement as well as being a parody of arts and entertainment. The perfectly controlled improvisations given by the fourteen talented artist-performers of the Quebec company blend in with the choreographical derision.
The first part of this trilogy Short Works: 24 has been highly acclaimed by critics and the public since its premiere in 2001. Helped by her loyal collaborator, the composer Owen Belton, Pite choreographed two dozen fragments, each lasting a minute. Although each fragment is a whole in itself, Short Works: 24 really takes off when the series is presented integrally. These fragments, which are non-narrative structures, guided exclusively by the music and the movement, reflect all the inherent humour and emotion of human nature.
Building on this success, Crystal Pite completes this first part of the trilogy with a second and third parts xspectacle and The Stolen Show, which is the name of the work as a whole. Fascinated by the enigma that sets the arts against entertainment and which brands this dance company, highly appreciated by the public, Pite decided to investigate the two facets of this polarity by signing a highly sincere and spirited theatrical work, It is up to the spectators to decide what they see… questioning, a standpoint, a tribute or a parody.
Source : Programme de salle Maison de la Danse
Pite, Crystal
In a choreographic career spanning three decades, Crystal Pite has created more than 50 works for companies such as The Paris Opera Ballet, The Royal Ballet, and the National Ballet of Canada. She is an Associate Artist at three institutions: Nederlands Dans Theater, Sadler’s Wells, London, and Canada’s National Arts Centre. She holds an honorary Doctorate of Fine Arts from Simon Fraser University and is a Member of the Order of Canada.
In 2002, she formed her company Kidd Pivot in Vancouver. Kidd Pivot tours internationally with works such as Betroffenheit and Revisor, both co-created with playwright Jonathon Young, as well as The Tempest Replica, Dark Matters, Lost Action, and The You Show.
Pite’s many awards include the Benois de la Danse for her creation The Seasons’ Canon (2016) at the Paris Opera Ballet, the Governor General of Canada’s Performing Arts Award: Mentorship Program (2008), and the Grand Prix de la danse de Montréal (2018). She is the recipient of three Sir Laurence Olivier awards for creations with Kidd Pivot and The Royal Ballet.
More Information : kiddpivot.org
Ballet Jazz Montréal
Emerging from a collaboration between Geneviève Salbaing, Eva Von Genscy and Eddy Toussaint in 1972, BJM – Les Ballets Jazz de Montréal – is a repertory company that creates, produces and presents contemporary dance performances based on the technique, rigour and aesthetics of classical ballet. Its work consistently appears on local, national and international stages.
The company offers its artists high-level professional ballet training and gives internationally renowned choreographers the freedom to develop their artistic process in keeping with BJM’s identity. In doing so, the company is able to create an exclusive repertoire that is accessible to all. As a leading ambassador of Quebec dance across the globe, BJM is synonymous with flawless execution. Its distinctive style is at once artistic, sexy, explosive, original and accessible.
Since being named artistic director in 1998, Louis Robitaille has reoriented the company toward audiences open to new choreographic forms. He has linked BJM with rising names in the world of contemporary dance, such as Crystal Pite, Aszure Barton and others. The company also regularly collaborates with internationally renowned choreographers, including Mauro Bigonzetti, Andonis Foniadakis, Itzik Galili, Annabelle Lopez Ochoa, Barak Marshall, Benjamin Millepied, Rodrigo Pederneiras, Ihsan Rustem and Cayetano Soto. In recent years, the company’s artistic direction has favoured multidisciplinary creations that blend ballet with other artistic disciplines such as theatre, video and music.
Every piece created for BJM remains faithful to an aesthetic exerting a positive influence. With accessibility and quality as its key values, the company has managed to incorporate enjoyment into creations that are strong, expressive and demanding. The distinctive personality and high calibre of its performers ensure the company’s sustained success and reputation. Through its many productions, performances and educational activities, BJM is able to encourage discovery, stimulate imagination and democratize dance, all while sharing with local and international audiences its deep passion for this discipline. Having presented more than 2,000 performances for over 2 million fans in 67 countries, BJM is a true ambassador of Canadian dance and artistic vitality across the globe.
In 2016, BJM and its artistic director were awarded the Rideau Hommage prize in recognition of the company’s reputation and continued presence on the Québec stage.
In 2017, BJM proudly celebrated 45 years of history, ballet, touring and meeting audiences.
Source: Ballet Jazz Montréal
More information: http://www.bjmdanse.ca
Xspectacle
Choreography : Crystal Pite
Original music : Owen Belton
Lights : Daniel Ranger, Crystal Pite
Costumes : Anne-Marie Veevaete, Crystal Pite
Production / Coproduction of the video work : [bjm_danse] Montréal, Maison de la Danse
Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois
If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”.
LATITUDES CONTEMPORAINES
The committed artist
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.
CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM
Indian dances
Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!
[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.
In the 1970s, artists’ drive towards a new classic had been ongoing for more than a half century and several generations had already formed since the Russian Ballets. As the years went by, everyone defended or defends classical dance as innovative, unique, connected to the other arts and the preoccupations of its time.
les ballets C de la B and the aesthetic of reality
Why do I dance ?
Strange works
Unconventional contemporary dance shows which reinvent the rapport to the stage.
Artistic Collaborations
Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians
Meeting with literature
Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.
Dance and performance
Here is a sample of extracts illustrating burlesque figures in Performances.
Round dance
Presentation of the Round’s figure in choreography.
The Dance Biennale
Hand dances
This parcours presents different video extracts in which hands are the center of the mouvement.
Contemporary Italian Dance : the 2000s
Panorama of contemporary dance practices in Italy during the 2000s.
Contemporary techniques
This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.