Mouvements #05
Chloé Moglia2017 - Director : Habas, Nicolas
Choreographer(s) : Moglia, Chloé (France)
Present in collection(s): VIADANSE Direction Fattoumi/Lamoureux - CCN de Bourgogne Franche-Comté à Belfort , Mouvements
Mouvements #05
Chloé Moglia2017 - Director : Habas, Nicolas
Choreographer(s) : Moglia, Chloé (France)
Present in collection(s): VIADANSE Direction Fattoumi/Lamoureux - CCN de Bourgogne Franche-Comté à Belfort , Mouvements
Mouvements #05
To mark the 30th annual Eurockéennes Festival in Belfort, VIADANSE – Centre chorégraphique national de Bourgogne Franche-Comté à Belfort (National Choreographic Centre of Burgundy and Franche-Comté in Belfort – CCN Belfort) invited 18 choreographers, representing the wide diversity in the field of choreography. The film director Nicolas Habas followed them on the natural site of Malsaucy, from the beginning of the preparations for the festival, and throughout it to the end. The choreographers took part in all that happened, everywhere it happened (stages, technical storage management areas, traffic routes, crowds of audiences, backstage…) resulting in danced portrayals that documented in a recreational manner the impressive machinery needed to bring about the event.
Clip #05 – shot on the structure of the Eurockéennes technicians catering marquee, with the trapeze artist Chloé Moglia from the Rizhome Company
Moglia, Chloé
As a performer Chloé Moglia infuses her practice in martial arts in her artistic way, developing through her work a singular exploration of the suspension art. Defending an embodied thought as much as a sensitive corporeality, it endeavors to deploy attention and acuity by linking physical practice, reflection and sensitivity.
She confronts her complicit relationship to weightlessness and her confrontation with the void, in multiple aerial experiments. Solo or collective, her creationsplay with bodies, slowness, vertigo and the laws of physics. Summoning a taste for taking on risk and fear to be the stand of her performances, Chloé Moglia shows a staggering controlthat evokes as much fragility. She has been artistic director of Rhizome since its emergence in 2009.
Source:Chloé Moglia (April 2020)
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Habas, Nicolas
Nicolas Habas is a screenwriter, director, member of the collective Un Poil Court and author of the web-series anchored in dance, Le Corps dans la ville.
Rhizome
The Association Rhizome promotes the artistic projects of Chloé Moglia. Founded in Brittany in 2009, it began its work on 1 January 2011. Its work is both regional and national, with a small amount also carried out abroad.
Until December 2010, Chloé Moglia co-directed, with Mélissa Von Vépy, the Cie Moglice-Von Verx, based in – and with financial support of – the Languedoc-Roussillon region.
Suspension, martial arts, writing and drawing are the subjects – or roots – on which Moglia's artistic approach is based. The combination of these has given rise to shows and performances that bring together the spheres of thought and feeling. The notion of sharing these ‘reflexive dreams’ with audiences, residents and the community is crucial, and constantly keeping alive the issue of meaning in our artistic work insofar as it questions its relevance to the social and political context to which it belongs.
407 performances took place between January 2011 and June 2015, regionally, nationally and even around Europe.
Source: Rhizome 's website
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Mouvements #05
Artistic direction / Conception : Nicolas Habas
Interpretation : Chloé Moglia
Sound : Valentin Scion
Other collaborations : Léna Pradelle (montage)
Production / Coproduction of the video work : Cette web-série est produite par VIADANSE, Les Eurockéennes et Séquence, en partenariat avec Arte Concert et avec le soutien du Ministère de la Culture, Direction générale de la création artistique.
[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times
The Ballets Russes paved the way for what would become known as: neo-classical. Back then, the term “modern ballet” was frequently used to define this renewal of aesthetics: a savvy blend of tradition and innovation, which each choreographer defined in their own way.
James Carlès
Bagouet Collection
The committed artist
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.
The Dance Biennial Défilé
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Indian dances
Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!
[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.
In the 1970s, artists’ drive towards a new classic had been ongoing for more than a half century and several generations had already formed since the Russian Ballets. As the years went by, everyone defended or defends classical dance as innovative, unique, connected to the other arts and the preoccupations of its time.
DANCE AND DIGITAL ARTS
Black Dance
Why do I dance ?
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Unconventional contemporary dance shows which reinvent the rapport to the stage.
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Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians
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Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.
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Here is a sample of extracts illustrating burlesque figures in Performances.
Round dance
Presentation of the Round’s figure in choreography.