Zero degrees started as a desire of Sidi Larbi  Cherkaoui to dance a duet with British-Bengali choreographer and dancer  Akram Khan. Both are sons of Islamic families brought up in Europe, and  both draw upon this meeting of cultures, combining complex Indian kathak  dance with the speed and precision of contemporary movements.

Inviting Antony Gormley for the scenography and Nitin Sawhney for the live performed music; zero degrees  became a place of transformation. Inspired by the place where one thing  morphs into another, the grey zone between one thing and the next, the  degrees where water becomes ice, the line where life becomes death. Zero degrees  follows Cherkaoui and Khan on a journey to seek the reference point,  the source, the '0' at life's core. Inspired by their own dual  identities, the two search for this middle point through polar  opposites; becoming/death, light/dark, chaos/order. Zero degrees talks  about borders and how blurry they actually are.

With only two lifelike dummies, copies of Cherkaoui and Khan, the  emptiness on stage permits the audience to see many symbols of division  and unity within the choreography. The dummies are like alter egos,  sometimes they are oppressors, sometimes guards or dead bodies.

Zero degrees is a performance about the fragility of a human life,  about yin and yang. The piece has won a Helpmann Award in Australia and  was nominated for a Laurence Olivier Award in the U.K.

Source: Eastman

En savoir plus: www.east-man.be/en

Akram Khan is one of the most celebrated  and respected dance artists of today. In just over 19 years he has  created a body of work that has contributed significantly to the arts in  the UK and abroad. His reputation has been built on the success of  imaginative, highly accessible and relevant productions such as XENOS, Until the Lions, Kaash, iTMOi (in the mind of igor), DESH, Vertical Road, Gnosis and zero degrees.

As an instinctive and natural collaborator, Khan has been a magnet to  world-class artists from other cultures and disciplines. His previous  collaborators include the National Ballet of China, actress Juliette  Binoche, ballerina Sylvie Guillem, choreographers/dancers Sidi Larbi  Cherkaoui and Israel Galván, singer Kylie Minogue, indie rock band  Florence and the Machine, visual artists Anish Kapoor, Antony Gormley  and Tim Yip, writer Hanif Kureishi and composers Steve Reich, Nitin  Sawhney, Jocelyn Pook and Ben Frost.

Khan’s work is recognised as being profoundly moving, in which his  intelligently crafted storytelling is effortlessly intimate and epic.  Described by the Financial Times as an artist “who speaks tremendously  of tremendous things”, a highlight of his career was the creation of a  section of the London 2012 Olympic Games Opening Ceremony that was  received with unanimous acclaim.

As a choreographer, Khan has developed a close collaboration with  English National Ballet and its Artistic Director Tamara Rojo. He  created the short piece Dust, part of the Lest We Forget programme, which led to an invitation to create his own critically acclaimed version of the iconic romantic ballet Giselle.

Khan has been the recipient of numerous awards throughout his career  including the Laurence Olivier Award, the Bessie Award (New York Dance  and Performance Award), the prestigious ISPA (International Society for  the Performing Arts) Distinguished Artist Award, the Fred and Adele  Astaire Award, the Herald Archangel Award at the Edinburgh International  Festival, the South Bank Sky Arts Award and eight Critics’ Circle  National Dance Awards. Khan was awarded an MBE for services to dance in  2005. He is also an Honorary Graduate of University of London as well as  Roehampton and De Montfort Universities, and an Honorary Fellow of  Trinity Laban.

Khan is an Associate Artist of Sadler’s Wells and Mountview Academy of Theatre Arts, London and Curve, Leicester.

Source: Akram Khan Company

More information: akramkhancompany.net

Author, filmmaker and video artist Charles Picq (1952-2012) entered working life in the 70s through theatre and photography. A- fter resuming his studies (Maîtrise de Linguistique - Lyon ii, Maîtrise des sciences et Techniques de la Communication - grenoble iii), he then focused on video, first in the field of fine arts at the espace Lyonnais d'art Contemporain (ELAC) and with the group « Frigo », and then in dance.
   On creation of the Maison de la Danse in Lyon in 1980, he was asked to undertake a video documentation project that he has continued ever since. During the ‘80s, a decade marked in France by the explosion of contemporary dance and the development of video, he met numerous artists such as andy Degroat, Dominique Bagouet, Carolyn Carlson, régine Chopinot, susanne Linke, Joëlle Bouvier and regis Obadia, Michel Kelemenis. He worked in the creative field with installations and on-stage video, as well as in television with recorded shows, entertainment and documentaries.

His work with Dominique Bagouet (80-90) was a unique encounter. He documents his creativity, assisting with Le Crawl de Lucien and co-directing with his films Tant Mieux, Tant Mieux and 10 anges. in the 90s he became director of video development for the Maison de la Danse and worked, with the support of guy Darmet and his team, in the growing space of theatre video through several initiatives:
       - He founded a video library of dance films with free public access. This was a first for France. Continuing the video documentation of theatre performances, he organised their management and storage.
       - He promoted the creation of a video-bar and projection room, both dedicated to welcoming school pupils.
       - He started «présentations de saisons» in pictures.
       - He oversaw the DVD publication of Le tour du monde en 80 danses, a pocket video library produced by the Maison de la Danse for the educational sector.

       - He launched the series “scènes d'écran” for television and online. He undertook the video library's digital conversion and created Numeridanse.

His main documentaries are: enchaînement, Planète Bagouet, Montpellier le saut de l'ange, Carolyn Carlson, a woman of many faces, grand ecart, Mama africa, C'est pas facile, Lyon, le pas de deux d'une ville, Le Défilé, Un rêve de cirque.

He has also produced theatre films: Song, Vu d'ici (Carolyn Carlson), Tant Mieux, Tant Mieux, 10 anges, Necesito and So schnell, (Dominique Bagouet), Im bade wannen, Flut and Wandelung (Susanne Linke), Le Cabaret Latin (Karine Saporta), La danse du temps (Régine Chopinot), Nuit Blanche (Abou Lagraa), Le Témoin (Claude Brumachon), Corps est graphique (Käfig), Seule et WMD (Françoise et Dominique Dupuy), La Veillée des abysses (James Thiérrée), Agwa (Mourad Merzouki), Fuenteovejuna (Antonio Gades), Blue Lady revistied (Carolyn Carlson).

Source: Maison de la Danse de Lyon