Alice Im Wunderland
2013
Choreographer(s) : Stiefermann, Martin (Germany)
Present in collection(s): Dachverband Tanz Deutschland e.V.
Alice Im Wunderland
2013
Choreographer(s) : Stiefermann, Martin (Germany)
Present in collection(s): Dachverband Tanz Deutschland e.V.
Alice Im Wunderland
Buy me, Alice! The cries seem to emanate from all corners – I will make you happy! The temptations are extreme in a wonderland of unlimited offers. Every shopping window is a new promise. Everywhere a more beautiful, successful and hip “I” is waiting for Alice. Every wish is tangible – even if Alice never knew she even had them.
Passing the sleeping shop window dolls of the decoration warehouses, followed by a small audience, Alice meets the strange inhabitants of wonderland in her grotesque and disturbing trip through the world of consumption.
In their performance “Alice im Wunderland”, MS Schrittmacher dissects our consumer behavior as it wavers between needs and insanity with inscrutable humor and an unerring sense for the absurd in daily life.
The shopping center is the stage; Alice, the hero... and the piece? All of us.
Source: msschrittmacher.de
More information : www.msschrittmacher.de/
Stiefermann, Martin
Martin Stiefermann studied dance at the Ballet School of the State Opera Hamburg. Later he became member of the Hamburg Ballet. He stayed for five years with the company in Hamburg and here he started with his first choreographies.
From 1992 to 95 he worked in, Hamburg, Vienna, Dresden, Basel and Berlin, as choreographer.
1992 he got a choreographer sholarship of the internationale tanzwochen Wien.
1995-97 he was director of the Ballet of Kiel. Then he founded the company MS Schrittmacher in Berlin.
Between 2001-2006 he was also director of the dance company at Oldenburgisches Staatstheater and of the Berlin company MS Schrittmacher, in close cooperation with the Oldenburg company. In this time he was twice festivalleader of the Internationale Tanztage Oldenburg (2003 and 2005) .
Since 2007 Martin Stiefermann has returned to Berlin as a freelance choreographer.
2008 he founded the performance label Less Mess together with Efrat Stempler.
2011 he worked as tutor for the development programme “Young Artist-Flausen im Kopf”.
2014 Martin Stiefermann accepted a teaching assignment for the department of dace at the Free University of Berlin.
Source : MS Schrittmacher
En savoir plus : www.msschrittmacher.de/
Alice Im Wunderland
Artistic direction / Conception : Martin Stiefermann
Artistic direction assistance / Conception : Efrat Stempler
Choreography : Martin Stiefermann
Interpretation : Antje Rose, Effi Rabsilber, Efrat Stempler, Jorge Morro, Nicky Vanoppen, Florian Schmiemann, Andreas Uehlein, Armin Dallapiccola ainsi que Jessica Kammerer-Georg, Karla Mendoza, Inga Klemme
Stage direction : Martin Stiefermann
Text : Hartmut Schrewe
Additionnal music : Sir Henry
Costumes : Lorraine Göhring
Technical direction : Suse Körner
Other collaborations : k3 berlin
Production / Coproduction of the choreographic work : Matthias Püschner, Forum Steglitz
Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois
If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”.
Bagouet Collection
The committed artist
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.
Indian dances
Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!
les ballets C de la B and the aesthetic of reality
Why do I dance ?
Artistic Collaborations
Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians
Meeting with literature
Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.
Dance and performance
Here is a sample of extracts illustrating burlesque figures in Performances.
The Dance Biennale
Contemporary Italian Dance : the 2000s
Panorama of contemporary dance practices in Italy during the 2000s.
Vlovajobpru company
40 years of dance and music
The “Nouvelle Danse Française” of the 1980s
In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out their unique take on the world.
Body and conflicts
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
The national choreographic centres
Noé Soulier Rethinking our movements
Carolyn Carlson, a woman of many faces
Genesis of work
A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff