The Spectator's Moment or how to discover an artist, a piece of work or a company in just two minutes. It is a collection of programmes produced by the Maison de la Danse in Lyon and presented by Dominique Hervieu. Each episode is devoted to an artist or a company that is programmed at the Maison de la Danse and offers the public keys or artistic benchmarks for better understanding and appreciating the choreographic art.
 



© Maison de la Danse de Lyon

Lloyd Newson's work since 1986 as the Director of DV8 Physical Theatre has had a dynamic impact on contemporary dance and theatre.

His stage and film work with DV8 has consistently received major awards. His recent film, "The Cost of Living", won a Prix Italia and a Rose D'or.

Born in Australia, Newson's interest in dance arose while studying psychology and social work at Melbourne University, a fascination that led to a full scholarship at London Contemporary Dance School.

He danced and/or choreographed with many companies — including Modern Dance Ensemble, Impulse Dance Theatre/New Zealand Ballet Company, One Extra Dance Theatre and Extemporary Dance Theatre — before forming his own company.

From the beginning Newson believed that his work, because of its narrative underpinnings, would translate well onto film. Consequently filmmakers David Hinton and Clara von Gool translated three of DV8's stage works into film with Newson directing DV8's last film, "The Cost of Living" (2004/05), himself. This work has subsequently won 17 international awards.

Straddling dance, text, theatre and film, Newson work's refuses to be defined. He is interested in conceiving original work rather than performing existing plays or reinterpreting classical ballets. More recently he has started exploring verbatim theatre, looking at the relationship between text (drawn from interviews) and movement. Whilst this is not his first foray into verbatim theatre ("MSM" 1993), his most recent two works, "To Be Straight With You" (2008/2009) and "Can We Talk About This" (2011/2012) are more text-based than any other work he has created.

Source: DV8 Physical Theatre 's website

More information: dv8.co.uk

Born in 1977, Fabien Plasson is a video director specialized in the field of performing arts (dance , music, etc).

During his studies at the Ecole Nationale des Beaux-Arts de Lyon (joined in 1995) Fabien discovered video art. He was trained by various video artists (Joel Bartoloméo Pascal Nottoli , Eric Duyckaerts , etc) .
He first experimented with the creation of installations and cinematic objects.

From 2001 to 2011, he was in charge of Ginger & Fred video Bar’s programming at La Maison de la Danse in Lyon. He discovered the choreographic field and the importance of this medium in the dissemination, mediation and pedagogical approach to dance alongside Charles Picq, who was a brilliant video director and the director of the video department at that time.

Today, Fabien Plasson is the video director at La Maison de la Danse and in charge of the video section of Numeridanse.tv, an online international  video library, and continues his creative activities, making videos of concerts, performances and also creating video sets for live performances.

Sources: Maison de la Danse ; Fabien Plasson website

More information: fabione.fr

Artistic direction: Lloyd Newson

Creation: 1986

Since DV8 Physical Theatre’s inception in 1986 Lloyd Newson has led the company, directing and conceiving all its productions (apart from My Sex Our Dance, which was co-devised with Nigel Charnock). DV8’s work reflects Newson’s personal interests in social, psychological and political issues. He has largely rejected the abstraction that permeates most contemporary dance in preference for conceptual and/or narratively driven work.

In 1985 Newson left Extemporary Dance Theatre to pursue his own choreographic interests more fully and approached dancer, Michelle Richecoeur, to work on Bein’ Apart; « Lonely Art », a commission from Dance Umbrella (UK). The following year Newson invited Nigel Charnock to work with him on « My Sex »; « Our Dance » (1986). That year DV8 Physical Theatre was officially formed. In 1987 Wendy Houstoun came to a DV8 workshop and began performing with the company shortly thereafter. Both Nigel and Wendy were principal performers with the company until 1992 when they left to pursue their own choreographic/directing voices. Since then, Wendy Houstoun has guested with the company in « Bound to Please » (1997), « Living Costs » (Tate Modern - 2003) and been involved in an editorial capacity for « To Be Straight With You » (2008).

As Newson’s work is content-based, he casts according to subject matter and performers’ suitability for each new project. Consequently DV8 has no permanent company of performers. Over the years many people have contributed towards the success of DV8 - many extraordinary performers, a succession of administrative and technical teams and the company’s board of directors.

Source: DV8 Physical Theatre 's website

More information : dv8.co.uk