Echoa
2005
Choreographer(s) : Rocailleux, Camille (France) Guerry, Thomas (France)
Present in collection(s): Maison de la Danse de Lyon , Saisons 2000 > 2009
Video producer : Maison de la Danse
Integral video available at Maison de la danse de Lyon
Echoa
2005
Choreographer(s) : Rocailleux, Camille (France) Guerry, Thomas (France)
Present in collection(s): Maison de la Danse de Lyon , Saisons 2000 > 2009
Video producer : Maison de la Danse
Integral video available at Maison de la danse de Lyon
Echoa
Stretching an arch between body and sound to go beyond the classic relationship between musicians and dancers. In this search for a subtle common space, two percussion structures are placed on stage, with and around which the construction of the piece will take place. Without exchanging their roles, they explore their gestures and appropriate each other's rhythms to bring out new meaning.
How does a percussionist dance?
How does the body of a dancer sound?
“Echoa” aims to sharpen the musicality of dance and underline the choreography of music. An unexpected dance concert where one can see dance with new ears.
Source : ARCOSM
Credits
Conception Thomas Guerry, Camille Rocailleux danseurs Thomas Guerry, Éléonore Guisnet percussionnistes Camille Rocailleux, Samuel Favre Minh-Tam Nguyen (en alternance) régie lumière Olivier Modol régie son Christian Hierro coproduction Théâtre Villeneuve-Lès-Maguelonne Scène Conventionnée Jeune Public en Languedoc-Roussillon / Mitiki avec le soutien de la Maison de la Danse/Lyon, la Scène sur Saône/Lyon, Les Fédérés – Centre Dramatique National de Montluçon, le Pot au Noir/Rivoiranche. Toute la compagnie tient à remercier spécialement André Curmi pour sa confiance et son soutien décisifs.
Réalisation Charles Picq date du document vidéo 2005 production Maison de la Danse
Rocailleux, Camille
Born in 1977, Camille Rocailleux graduated from the Conservatoire National Supérieur de Musique et de Danse de Lyon and won the First prize.
He co-founded the ARCOSM company with Thomas Guerry in 2000. This step marked the begining of a important artistic work and the creation of 4 dancing and musical play: "Echoa" (2001), "Lisa" (2007), "La Mecanique des Anges" (2009) "Traverse" (2010) "Solonely" (2012), "Bounce!" (2013), "Sublime" (2015).
Camille Rocailleux contributes to various artistes and bands: National Symphonic Orchestras of Lyon and Toulouse, The Opéra National de Lyon, The Orchestre Philharmonique du Luxembourg (Chamber Music order for « Dance010 ») The actor and storyteller Yannick Jaulin (composition of musics and shows : "J’ai pas fermé l’œil de la nuit", "Menteur", "Terrien", "Le dodo", "Conteur? Conteur!" …), the film-makers Jean-Pierre Lledo, Gilles Porte, Gaël Morel (original soundtracks of: "Le Clan", "New Wave", "Notre Paradis"), the singer Daphnée (Prix Constantin 2007), production of her album "L’Émeraude", artistic contribution with Benjamin Biolay and the pianist Gonzales, contribution to the album "Carmin", the singer Camille (Body-percussionnist and choir singer ring the wordlwide tour – Music Hole Tour), the beat boxers Ezra and L.O.S. (Bionicologists project), the Jérôme Savary company (solo of Mona Heftre in the play "Albertine") and stage directors Laurent Brethome (Projet « H »), Dominique Lardenois, Yves Beaunesne ("Pionniers à Ingolstadt", "L’Annonce faite à Marie").
In 2013, he founds his own company of music, E.V.E.R. and creates "Obstinés!" (2013) and "Nous" (2016).
Source : The Arcosm company 's website
More information
Guerry, Thomas
Born in 1978, he graduated from the Conservatoire National de Région de Lyon, then from the Conservatoire National Supérieur de Musique et de Danse de Lyon. He improved his training with Odile Duboc, Fabrice Ramalingom, Hélène Cathala, Betty Jones etc.
He joined the Skanes Dance Theatre in Sweden in 1999. He danced in "Meublé Sommairement" (2000) and in "Matière Première" (2002), produced by the association Les Carnets Bagouets; in "Les allées et Venues "(2000) and "Dehors" (2002), produced by La Veilleuse/Christine Jouve Co. He danced with Bernard Glandier in "Le Roi des Bons", Thomas Lebrun in "On prendra bien le temps d’y être", in 2001, "La Trêve(s)" in 2004, "What you want" in 2006 and in "Switch" (2007).
He founded the Arcosm Co in 2000 with Camille Rocailleux and created "Echoa" November 2001, followed by "Lisa" (2006), "La Mécanique des Anges" (2009), "Traverse" (2011), "Solonely" (2012), "Bounce!" (2013), Sublime (2015) & Subliminal (2016). He took part in the choreography of the performance Carnets de notes for the Odysee Ensemble (2003). He choreographed the solo for the State Diploma with Sylvie Giron. Two years later, he was invited by the association Les Carnets Bagouet to stage again for Les Ballets de Nancy another play of their repertoire: Les petites pièces de Berlin. The Ensemble Odyssée Co also called him to stage their new show Le concert interdit.
He wrote a feature film scenario entitled « La boîte en Fer Rouge » with Bertrand Guerry. In 2009, he worked with his brother on the scenario of the feature film « Back Home ». His choreographic experience can be seen through the sharp vision of the destruction of main character’s body.
Sources: Arcosm Co 's website
More information
LATITUDES CONTEMPORAINES
The committed artist
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.
CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM
Indian dances
Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!
[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.
In the 1970s, artists’ drive towards a new classic had been ongoing for more than a half century and several generations had already formed since the Russian Ballets. As the years went by, everyone defended or defends classical dance as innovative, unique, connected to the other arts and the preoccupations of its time.
les ballets C de la B and the aesthetic of reality
Why do I dance ?
Artistic Collaborations
Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians
Meeting with literature
Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.
Dance and performance
Here is a sample of extracts illustrating burlesque figures in Performances.
The Dance Biennale
Female / male
A walk between different conceptions and receptions of genres in different styles and eras of dance.
Hand dances
This parcours presents different video extracts in which hands are the center of the mouvement.
Contemporary Italian Dance : the 2000s
Panorama of contemporary dance practices in Italy during the 2000s.
Les Rencontres chorégraphiques internationales de Seine-Saint-Denis
40 years of dance and music
The “Nouvelle Danse Française” of the 1980s
In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out their unique take on the world.