Hu(r)mano
2015
Choreographer(s) : Da Silva Ferreira, Marco (Portugal)
Present in collection(s): Maison de la Danse de Lyon , Saisons 2010 > 2019
Video producer : Pensamento Avulso
Hu(r)mano
2015
Choreographer(s) : Da Silva Ferreira, Marco (Portugal)
Present in collection(s): Maison de la Danse de Lyon , Saisons 2010 > 2019
Video producer : Pensamento Avulso
Hu(r)mano
An active player on the burgeoning Portuguese dance scene, Marco da Silva Ferreira worked with artists such as André Mesquita, Hofesh Schechter, Sylvia Rijmer, Tiago Guedes and Hugo Pontes, before launching into choreography himself. Hu(r)mano, his sixth piece, has earned him a nomination for Best Young Portuguese Artist of 2015. Inspired by an urban dance vocabulary, he plays with the tension between the "human me" and the "urban we." Four bodies come together — strong and confident in their intrinsic individuality. But ever building posturing and looks gradually morph into a collective relationship of surprising beauty. Oscillating between alienation and connection, the foursome unpretentiously yields to various stages of transformation.
Source: www.atelierdeparis.org
Da Silva Ferreira, Marco
Born in Santa Maria da Feira, Marco began his dance career in 2004. Since then he has worked with: Companhia de Dança do Norte; Companhia Tok'art in “Made in time” (Jan’2011) and “You never know how things are going to come together” (Feb,2012) choreographed by André Mesquita; In 2012 Marco performed Elisabeth Lambeck solo “EXIT 211-A, Sylvia Rijmer solo “Anatomization” and Hofesh Shechter piece “Shelters” to Companhia Instável. Marco has been dancing in Victor Hugo Pontes projects “ Fuga sem fim” to Companhia Instável, “Rendez- vous”(2011) , “A strange land”(2012), “Zoo” (2013), “Fall” (2014) and "Se Alguma Vez precisares da minha vida, vem e toma-o" (2016). In 2014 Tiago Guedes performed “Hoje” and in 2015 danced Paulo Ribeiro solo “Modo de utilização”. As a choreographer, Marco premiered his first solo “Nevoeiro 21” in Palcos Instáveis at Campo Alegre Theatre (2012). In May 2013 Marco premiered the award piece of maisImaginarius “Réplica...éplica...éplica”, a site-specific solo dance. In June, Marco created “A ilha” with Victor Hugo Pontes provided by 37.25-Núcleo de artes performativas and Walk&talk Azores festival. “Por minha culpa, minha tão grande culpa” (2013), a co-creation with Mara Andrade, premiered in Palcos Instáveis and in 2014 created “Land(e)scape”, a multi-disciplinary collaboration with a visual artist and sound installation to Imaginarius festival. “HU(R)MANO” premiered in 2014 and still touring. In 2015 invited by ESTUFA created “b r u t o” a dance piece for non-professional dancers which is been reperformed to another groups in workshop context. “brother” is Marco’s last creation and will premiere in March 2017 in Teatro São Luiz, Lisbon.
Source: The association Pensamento Avulso 's website
More information: pensamento-avulso.jimdo.com
Hu(r)mano
Artistic direction / Conception : Marco da Silva Ferreira
Artistic direction assistance / Conception : Mara Andrade
Choreography : Marco da Silva Ferreira
Interpretation : Anaisa Lopez, André Cabral, Marco da Silva Ferreira et Victor Fontes
Original music : Rui Lima et Sergio Martins
Lights : Wilma Moutinho
Technical direction : Wilma Moutinho
Production / Coproduction of the choreographic work : Production Marco da Silva Ferreira et Joana Ferreira, Pensamento avulso, association d’arts performatifs // En partenariat avec Jazzy Dance Studio, Feira Viva, O espaço do tempo ; Teatro Virgina Financements ; Gouvernement du Portugal / Secrétariat d'Etat à la Culture / Direction générale des Arts ; le festival Materiais Diversos et le Théâtre municipal de Campo Alegre
LATITUDES CONTEMPORAINES
[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times
The Ballets Russes paved the way for what would become known as: neo-classical. Back then, the term “modern ballet” was frequently used to define this renewal of aesthetics: a savvy blend of tradition and innovation, which each choreographer defined in their own way.
Amala Dianor: dance to let people see
The committed artist
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.
Qudus Onikeku - Reclaim a forgotten memory
[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.
In the 1970s, artists’ drive towards a new classic had been ongoing for more than a half century and several generations had already formed since the Russian Ballets. As the years went by, everyone defended or defends classical dance as innovative, unique, connected to the other arts and the preoccupations of its time.
les ballets C de la B and the aesthetic of reality
Why do I dance ?
Strange works
Unconventional contemporary dance shows which reinvent the rapport to the stage.
The Dance Biennale
Female / male
A walk between different conceptions and receptions of genres in different styles and eras of dance.
Hand dances
This parcours presents different video extracts in which hands are the center of the mouvement.
Contemporary Italian Dance : the 2000s
Panorama of contemporary dance practices in Italy during the 2000s.
Hip hop / Influences
This Course introduce to what seems to be Hip Hop’s roots.
Arts of motion
Generally associated with circus arts, here is a Journey that will take you on a stroll through different artists from this world.
Les Rencontres chorégraphiques internationales de Seine-Saint-Denis
40 years of dance and music
The “Nouvelle Danse Française” of the 1980s
In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out their unique take on the world.
Body and conflicts
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.