Dans l'engrenage
2017 - Director : Plasson, Fabien
Choreographer(s) : Marchiche, Souhail (France) Meghari, Medhi (France)
Present in collection(s): Maison de la Danse de Lyon
Dans l'engrenage
2017 - Director : Plasson, Fabien
Choreographer(s) : Marchiche, Souhail (France) Meghari, Medhi (France)
Present in collection(s): Maison de la Danse de Lyon
Dans l'engrenage
Finding your place, precarious as it may be. You fight for it. Fight to keep it. Beyond the inner workings of society. Beyond conventions. Beyond the common good. Beyond individual liberties.
You play around the rules to keep going. Even to the point of transgression. Even if it means doing wrong. Even if those put upon rise up. They believe in something better. They are committed. In the face of all opposition. Against all odds.
Single-handedly. They fight. At strength’s end, still they build. Something different. Differently. A foundation for the new. For their sake. To exist. Caught in the gears, they combine. Blend in with the crowd. Again. For how long?
Source : Cie Dyptik
En savoir plus : www.dyptik.com
Marchiche, Souhail
Meghari, Medhi
Plasson, Fabien
Born in 1977, Fabien Plasson is a video director specialized in the field of performing arts (dance , music, etc).
During his studies at the Ecole Nationale des Beaux-Arts de Lyon (joined in 1995) Fabien discovered video art. He was trained by various video artists (Joel Bartoloméo Pascal Nottoli , Eric Duyckaerts , etc) .
He first experimented with the creation of installations and cinematic objects.
From 2001 to 2011, he was in charge of Ginger & Fred video Bar’s programming at La Maison de la Danse in Lyon. He discovered the choreographic field and the importance of this medium in the dissemination, mediation and pedagogical approach to dance alongside Charles Picq, who was a brilliant video director and the director of the video department at that time.
Today, Fabien Plasson is the video director at La Maison de la Danse and in charge of the video section of Numeridanse.tv, an online international video library, and continues his creative activities, making videos of concerts, performances and also creating video sets for live performances.
Sources: Maison de la Danse ; Fabien Plasson website
More information: fabione.fr
Dyptik
Nonchalant and uninterested in consensus, the Dyptik company dances its identity and revolt with force and authenticity.
We are committed in our relationship to alterity, to other people and the body. We explore what it means to be human. With special attention to humankind’s history, we consider the intimate and the depth of things.
Through artistic creation and transmission, when we accompany and when we host, or when we bring people together… We dig for the visceral, what is most powerful in each and every one. Sometimes to exhaustion.
Dyptik was founded in 2012 by choreographers Mehdi Meghari and Souhail Marchiche. The company is based in Saint-Etienne, France and has the support of the city of Saint-Etienne, the DRAC, the region Auvergne-Rhône-Alpes and the Loire department.
As early as 2012, Dyptik started exploring the theme of identity, through two choreographic pieces: En quête (2012) and Dyptik (2014).
The company then went on to tackle the topic of revolt with D-Construction (2016), Dans l’engrenage (2017) and Le Cri (2018).
Besides its creative work, the company has been developing many cultural initiatives, among which TRAX, an annual festival created in 2014.
The company is committed to the values of sharing, cultural exchange and engaging with other people. The company opens its Saint-Etienne studios to artists and the public so as to make them a true platform for residencies and performances.
The Company is an associate artist with the Maison de la Danse in Lyon for the 2017/2018 season as part of the European Creative Pole, and with the Théâtre de Cusset for the period 2017-2020.
Source : Compagnie Dyptik
More information : www.dyptik.com
Amala Dianor: dance to let people see
[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.
In the 1970s, artists’ drive towards a new classic had been ongoing for more than a half century and several generations had already formed since the Russian Ballets. As the years went by, everyone defended or defends classical dance as innovative, unique, connected to the other arts and the preoccupations of its time.
les ballets C de la B and the aesthetic of reality
Hand dances
This parcours presents different video extracts in which hands are the center of the mouvement.
Les Rencontres chorégraphiques internationales de Seine-Saint-Denis
The national choreographic centres
Dyptik Company
Do you mean Folklores?
Presentation of how choreographers are revisiting Folklore in contemporary creations.
Ballet pushed to the edge
Ballet’s evolution from its romantic form until néo-classicism.